Symmetri manual/plotter - drawing

 
 
 

I think it’s interesting how strict geometry can still feel soft and human through these layered, textured lines. The mechanical pencil’s recurring mechanical failures give the process a life and randomness that’s pretty funny concidering how structured the process otherwise would be, I was concerned that bringing a plotter into the mix would make the drawings too rigid and ordered but the effect was the opposite: the plotter is way less ordered than I am and these drawings that are part human and part machine are less ordered than my purely manual drawings. My machine is humaning better than me at the moment strangely enough, I can’t but laugh.

Added to DRAWINGS and AVAILABLE WORKS!

Symmetri" is one of my first plotter/manual drawings, created with a 2D pen plotter I recently brought into the studio as a kind of assistant.

For this piece, I worked with an automatic pencil, adjusting both tension and lead softness to achieve depth and darker tones. It’s an early experiment in trying to combine mechanical precision with the sensitivity of hand-drawn graphite.

"Symmetri" & "Beam"

 
 
 

"Symmetri" is one of my first plotter drawings, created with a 2D pen plotter I recently brought into the studio as a kind of assistant.

For this piece, I worked with an automatic pencil, adjusting both tension and lead softness to achieve depth and darker tones. It’s an early experiment in trying to combine mechanical precision with the sensitivity of hand-drawn graphite.

"Beam" is a big-ass colorful hardedge acrylic painting. I like playing with big shapes and perceived flatness/depth. Over n' out.

#hardedge #brutalism #colorism

SYMMETRIER exhibition WRAPPED UP!

 
 
 

“Symmetrier” is a series of machine drawings, chainsaw paintings, dot paintings, and sand sculptures that move between order and dissolution, between structure and chance.

The works are based on a process of cutting and pasting, tearing, constructing, dismantling, and assembling. And reducing! Away with all the unnecessary junk!

By destroying original compositions and assembling fragments into new wholes, a form of visual archaeology emerges, where each layer bears traces of previous decisions.

//Mic

 

You’re welcome to explore my available works at: AVAILABLE WORKS