Painting timelapse of “Bird’s eye”


As some of you already know lately I´ve been doing these great structures that I methodically cover underneath layer after layer of dots, sort of slowly dissolving them into dust visually. I try to look for the point where it's in-between categories, that's where it's interesting. Between being solid and being air, between being monumental and being silly, between the physical and the metaphysical.

I've been working on this piece for about six weeks. Everything else has been put on hold. The pointillist technique is a slow grinding death-march-test of character but ultimately very rewarding when you arrive at that point where it just... glows. This minute is made up of around 100 hours of filmed material. Now I´m just gonna take a week or two of drawing fast charcoal drawings to reset my soul.