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What I do is based on some kind of intentionlessness. I start out with a vaguely formulated idéa - or hunch is perhaps better... And no matter what kind of a picture it is it must contain music, or rythm, othervise it won't work. If it works, as in with painting generally, it is because there is music/rythm, no matter how morally corrupt or othervise objectionable the content of the work may be.


I once read a book about childrens psychology in relation to creation, and a little girl said: "I just begin, and it gets good" and I thought that this is all you need as a work principle: just begin, and things will happen. So basically I begin with a hunch and I start adding layer after layer until I have overworked the picture, in which case I start subtracting or starting over completely. As i keep adding my choices become fever and I find myself getting more constricted. When the painting is done it is so because I am completely constricted and unable to do anything more.


But just to be clear: intentionlessness does not mean "anything goes", and that there is no thought behind the work. Intentionlessness refers to the technical notion that there must be a physically spontaneous element in theact of painting that is guided by intuition and presence rather than by predetermined aims or ideas. What the picture demands, not what you intend. There is a dialogue to be had there, in s metaphysical sense.


This i partly why I´ve tried to avoid developing a certain manner of painting, or "style". I think “Style” is Always in danger of becoming a shield between the artist and the world... If you want to be honest you can´t be thinking about being coherent at the same time - and being visually coherent and developing a certain manner of painting is of course the same thing. Instead, one has to strive towards remaining present in what is happening in the picture (or sculpture). To let it paint itself, so to speak. Otherwise it´s easy to get trapped in a situation where the form becomes your subject, and that´s all backwards... The "form", or "style" is something that´s supposed to be a channel to the outside real world, or the inside real world, not a dead end.